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Jual Buku
Injury Time by D J Enright

Author:D J Enright

Language: eng

Format: epub

ISBN: 9781446448649

Publisher: Random House

Published: 2019-04-17T16:00:00+00:00

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Injury Time by D J Enright

*

While poets have succeeded better in depicting hell than in portraying heaven (‘at least humanity is there, and the torments of the guilty remind us of the miseries of our life’: a consideration the Romanian poet cited above would have had in mind), Chateaubriand claimed that purgatory offered literary people richer opportunities. For its inhabitants there was – uniquely – a future still undecided and in prospect, while the gradation of feelings and ‘the confused sentiments of happiness and of misfortune’ coming together ‘could furnish the pen with touching subjects’. Purgatory sounds not unlike a remand centre.

The Abbé Mugnier, a witty, fashionable priest and acquaintance of Proust, apparently scandalized a lady by some careless remark. She exclaimed indignantly, ‘In that case, M. l’Abbé, there would be no hell!’ To which the Abbé replied reassuringly, ‘Oh yes, Madame, there is a hell. Only there is nobody in it.’ The thought – perhaps reinforced by the sight of buildings standing empty and derelict in our cities — has been repeated by a Swiss theologian said to be close to the Pope: the place exists, but a God merciful by definition couldn’t sentence a soul to squat eternally in it.

 

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Injury Time by D J Enright

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Injury Time by D J Enright

 

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Injury Time by D J Enright

Author:D J Enright , Date: June 11, 2019

,Views: 29

Author:D J Enright

Language: eng

Format: epub

ISBN: 9781446448649

Publisher: Random House

Published: 2019-04-17T16:00:00+00:00
*

While poets have succeeded better in depicting hell than in portraying heaven (‘at least humanity is there, and the torments of the guilty remind us of the miseries of our life’: a consideration the Romanian poet cited above would have had in mind), Chateaubriand claimed that purgatory offered literary people richer opportunities. For its inhabitants there was – uniquely – a future still undecided and in prospect, while the gradation of feelings and ‘the confused sentiments of happiness and of misfortune’ coming together ‘could furnish the pen with touching subjects’. Purgatory sounds not unlike a remand centre.

The Abbé Mugnier, a witty, fashionable priest and acquaintance of Proust, apparently scandalized a lady by some careless remark. She exclaimed indignantly, ‘In that case, M. l’Abbé, there would be no hell!’ To which the Abbé replied reassuringly, ‘Oh yes, Madame, there is a hell. Only there is nobody in it.’ The thought – perhaps reinforced by the sight of buildings standing empty and derelict in our cities — has been repeated by a Swiss theologian said to be close to the Pope: the place exists, but a God merciful by definition couldn’t sentence a soul to squat eternally in it.

We all have our professional notion of hell. There is a tale of a writer who died and was allowed to choose between going to heaven or to hell. Cannily, she asked St Peter if she might tour both regions before deciding. Led down into hell, she saw row after row of writers chained to desks, sweat running down their torsos, while demons lashed them with barbed whips. ‘Dear me, let’s go and look at the other place!’ Ascending into heaven, she met with the sight of row after row of writers chained to desks, running with sweat, and lashed by demons wielding barbed whips. ‘But this is just as dreadful as hell!’ ‘Oh no it isn’t,’ said St Peter. ‘Here, your work gets published.’

April 2000, The Oldie has a cartoon of more general import. In hell, a senior devil brings a novice up to date: ‘We don’t call them “the damned” any more – we call them customers.’

*

Relativities. A charitable appeal bears the word ‘TORTURE!’ stamped askew on the cover. We know what that forebodes. We have read the reports and looked at the pictures before. Still, we open it. It comes from an organization set up to help sufferers from tinnitus.

Having complained of frantic novels, sickly and stupid German tragedies, idle and extravagant stories in verse, and the degrading thirst after outrageous stimulation (a feast for any Minister of Culture!), Wordsworth concluded with a muted but indispensable flourish of trumpets: ‘Reflecting upon the magnitude of the general evil, I should be oppressed with no dishonourable melancholy, had I not a deep impression of certain inherent and indestructible qualities of the human mind …’

In The Uses of Literacy (1957), dealing with ‘changes in working-class culture during the last thirty or forty years … with special reference to publications and entertainment’, Richard Hoggart quoted

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